The high volume properties of the guitar amp attenuator at a controllable range can be achieved with a strong amp. This is our breakup of today’s top ten attenuators. The tube amps have advantages and disadvantages, for instance, relative to solid-state amps, you will have a louder and cleaner signal. But one of the drawbacks of a tube amp is its lack of power over its failure stage. But you’ll have to ramp up speed if you just want distortion out of your tube amplifier. But you’ll risk waking your neighbours, while you are at home, so it’s not a choice to increase volume.
- List of 8 Best Guitar Amp Attenuators Reviews
- 1. Two Notes Audio Engineering Torpedo Reload Advanced Attenuator
- 2. Tone King Iron Man II Mini Attenuator
- 3. Rivera RockCrusher Power Attenuator & Load Box
- 4. THD Electronics HP8 Hot Plate Power Attenuator
- 5. BUGERA POWER SOAK PS1
- 6. Weber MicroMass Attenuator
- 7. Kld/Pan Amps New Pb-1 100 Watt Attenuator
- 8. Electro-Harmonix Nano Signal Pad Passive Attenuator
List of 8 Best Guitar Amp Attenuators Reviews
1. Two Notes Audio Engineering Torpedo Reload Advanced Attenuator
Two Torpedo Notes Engineering reloads the signal guitar, amp, cabinet and DI. Without betraying your amplifier, reactive-active attenuator will clean. You can choose between pure clarity and retro colouring in your DI Box contour. Re-insert the sound of your guitar in your amp for ultimate clarification in the Replay Box. The Re-act technology provides your amplifier with a constant speaker impedance regardless of which degree of reduction you are at and therefore retains your amplifier’s unique character. The theory of the two notes stands in one word: transparency. Your guitar and your amplifier ought to be the sound – not electronics.
2. Tone King Iron Man II Mini Attenuator
In a conveniently-sized amplifier box of 30W or less, the Ironman II Mini provides cutting-edge attenuation technology. The tuned reactive load and volume compensation circuitries have highly straightforward mitigation to the size of the bedroom. The re-amping or D.I. capacity is provided by the line-out feature. A single solo mode offers the footswitch power to the selection 3db/6db volume raise. Power delivered either from internal (2 x AA) batteries or from external (9V) sources.
A 9VDC is sufficient to power this attenuator to output no more than 30W RMS. Also, the volume booster Tone Kings Iron Man II Mini is perfect for guitar solos. Although the solos feature would definitely be very common, this is a nice addition to preserving and using your speakers even if you are a guitarist of some sort. This is one of the finest tube amp power attenuators for metal with its high usability and portability. You stand out with metal riffs and solos by the rise in volume and are also a major addition to the pedalboard.
3. Rivera RockCrusher Power Attenuator & Load Box
It costs about three times more than PB-1 for RockCrusher from Rivera. It increases the overall output power to 120 watts for the tube amplifier. There are some additional choices that will help you improve the sound to reach completeness and comfort. There are also two balancing buttons: one controls the low frequencies, the other controls the triple. Six separate attenuation parameters from -4dB to -24dB can be selected.
4. THD Electronics HP8 Hot Plate Power Attenuator
ThD Hot Plate is the only noise reduction attenuator on the market. Light is created when you play noise reduced circuit. High switch lets you compensate for an excessively light cabinet with two distinct higher frequency levels. Deep switch provides two different bass settings for filling the bottom or for reducing the bass in a low-end cabinet. Line Out drives another guitar amplifier’s instrument input for additional capacity and sound. It will have a enough signal for the input of a separate power amplifier for slavery at higher parameters. You won’t be damaged by THD Hot Plates. You allow your pipe to age more easily than it does at lower volumes as you begin to play at maximum output.
5. BUGERA POWER SOAK PS1
Passive Bugera amps are passive (no power source required) and can control amps up to 100 watts. It has 4, 8 and 16-ohm inputs in front of the speaker cab and emulates a microphone. There is no fancy bell and whistle, which you presume is how the price is kept so low.
6. Weber MicroMass Attenuator
Two toggle knobs for low frequency and high-frequency bass trio have been used by the Weber MicroMass attenuator. The output of your amplifier can be diminished by up to 50 decibels. This model has an integrated motor that transmits processed signals to the speaker directly. Due to its small size, you can pack it in your bag comfortably and carry it on the trip. The 15-watt MicroMass is an amplifier with a 15W and less power, which means it can be used only in amplifiers.
7. Kld/Pan Amps New Pb-1 100 Watt Attenuator
KLD/PAN PB1 is a studio-quality guitar amplifier that is used for watts of up to 100 tube amplifiers. It has a basic interface of just two buttons: an attenuation button and a pad. The atténuation knob provides five different conditions, from the real bypass to an attenuation of 7.2 decibels.
8. Electro-Harmonix Nano Signal Pad Passive Attenuator
This attenuator can either process or even use it for two channel settings as an input. The 100% passive signal direction ensures that you can play comfortably, ensuring that guitar sounds are safeguarded for accuracy. This is one of our most inexpensive attenuators, powered or powered by batteries.
Attenuation is a wonderful technique for tube amp guitar players. And casual musicians benefit greatly from the opportunity to record from a balanced direct production. Prioritize the vital I/O functions and let your amp do much of the heavy lifting related to sound. Go to one of the most costly two note boxes if you are more concerned with emulation by a speaker cab. It is also a smart thing to get a dumb load-changing guitar amp attenuator.